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Faye toogood introduces sculptural seating shaped by erosion and touch
August 26
Rounded forms translate geological references into tactile domestic objects.
The seating collection takes its cues from stones softened by water and repeated contact. Broad backs, hollowed seats and irregular edges create pieces that feel carved rather than assembled. Upholstery follows the shapes without visible seams, emphasizing volume and shadow. Although the forms are expressive, their proportions remain grounded in everyday comfort and use.


Rounded forms translate geological references into tactile domestic objects.
The seating collection takes its cues from stones softened by water and repeated contact. Broad backs, hollowed seats and irregular edges create pieces that feel carved rather than assembled. Upholstery follows the shapes without visible seams, emphasizing volume and shadow. Although the forms are expressive, their proportions remain grounded in everyday comfort and use.


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Faye toogood introduces sculptural seating shaped by erosion and touch
August 26
Rounded forms translate geological references into tactile domestic objects.
The seating collection takes its cues from stones softened by water and repeated contact. Broad backs, hollowed seats and irregular edges create pieces that feel carved rather than assembled. Upholstery follows the shapes without visible seams, emphasizing volume and shadow. Although the forms are expressive, their proportions remain grounded in everyday comfort and use.


Rounded forms translate geological references into tactile domestic objects.
The seating collection takes its cues from stones softened by water and repeated contact. Broad backs, hollowed seats and irregular edges create pieces that feel carved rather than assembled. Upholstery follows the shapes without visible seams, emphasizing volume and shadow. Although the forms are expressive, their proportions remain grounded in everyday comfort and use.


Source
Wallpaper*
Wallpaper*
Other articles
