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Sabine marcelis turns a former warehouse into a luminous color archive
September 19
Translucent surfaces organize an interior dedicated to color and material research.
Inside the converted warehouse, translucent resin walls divide the plan without closing it into fixed rooms. Daylight passes through layers of amber, blue and soft green, changing the atmosphere as visitors move between displays. Samples, prototypes and production tools are presented together, making the archive feel active rather than historical. The project treats color as a spatial material, capable of defining orientation, depth and mood without relying on conventional partitions.


Translucent surfaces organize an interior dedicated to color and material research.
Inside the converted warehouse, translucent resin walls divide the plan without closing it into fixed rooms. Daylight passes through layers of amber, blue and soft green, changing the atmosphere as visitors move between displays. Samples, prototypes and production tools are presented together, making the archive feel active rather than historical. The project treats color as a spatial material, capable of defining orientation, depth and mood without relying on conventional partitions.


Source
designboom
designboom
Other articles

Sabine marcelis turns a former warehouse into a luminous color archive
September 19
Translucent surfaces organize an interior dedicated to color and material research.
Inside the converted warehouse, translucent resin walls divide the plan without closing it into fixed rooms. Daylight passes through layers of amber, blue and soft green, changing the atmosphere as visitors move between displays. Samples, prototypes and production tools are presented together, making the archive feel active rather than historical. The project treats color as a spatial material, capable of defining orientation, depth and mood without relying on conventional partitions.


Translucent surfaces organize an interior dedicated to color and material research.
Inside the converted warehouse, translucent resin walls divide the plan without closing it into fixed rooms. Daylight passes through layers of amber, blue and soft green, changing the atmosphere as visitors move between displays. Samples, prototypes and production tools are presented together, making the archive feel active rather than historical. The project treats color as a spatial material, capable of defining orientation, depth and mood without relying on conventional partitions.


Source
designboom
designboom
Other articles
